Sunday, December 30, 2012

A Dire Chronical from Ian Culleton, the Publicity Manager PART II

The mysterious Mr. King, if that was indeed truly his name, withdrew from his pocket a swatch of cloth, wrapping it around his wounds.  I could see him wincing with the pain, but through gritted teeth he said to me, "We can't stay here.  Got to keep moving."  Then he drew out another swatch of cloth, holding it out to me with his only remaining functional hand.  "Now it's time for you to make a decision.  I can't allow you to see the route we'll be taking; so you can put on that blindfold, and let me guide you, or you can get the hell out of here and hope the cops never find you."

I could hear the distinctive wailing of European sirens in the distance, and highly distressed though I was, I hesitated for only a moment before I took up the cloth and my trembling hands wrapped it around my eyes.  

I cannot now recall much of that dark journey, I was still thoroughly shaken from seeing a man die and my mind conjured up all varieties of strange and loathesome apparitions which ran their gangly limbs across my blind face.  How I managed to keep pace with my companion I will never know, and it was only after what seemed like hours to me that hands behind me untied my blindfold.

I looked around.  The room they had put me in was pitch dark, and I sat at the end of a long, wooden table.  The only light in the room came directly down onto this table, which was bare save for the curling smoke trail rising from the opposite end.  For a moment I was confused as to the origins of this wisp, until a faint orange glow betrayed the darkling figure sucking contentedly on a stogie.

"So," said a voice, and I must admit to being somewhat surprised that the voice was female, "This is your man, Seb?"  With a pause and a puff of smoke, she let out a small laugh.  "Pathetic.  He's hardly worth the flesh on his bones."

From somewhere behind me, I heard the gruff voice of Mr. King say, "Don't be so quick to discount him.  I've seen his work, and it is competent, to say the least.  He's charismatic-- people seem to like him, and what's more, our enemies seem to distinctly dislike him, which says more to me than any resume ever could."

I gulped hard, and gathering myself together, said, "Is this about my work as a taxidermist?"

At that, both of them laughed.  "No, no, we have no desire or need to stuff animals.  This is about your other career."

At this I despaired somewhat, for it was clear that they knew of my somewhat less legitimate work as an artist and organizer for the shadowy internet hacking syndicate known as LulzSec.  "Look--  look, I needed the money.  If you're from the CIA--"

"No, Mr. Culleton, you've got this all wrong.  All we want is a publicity manager."  There was another pause, and another puff of smoke.  Then Mr. King said, "Well, Rachel?  is he in?"

This woman, apparently named Rachel, leaned forward into the light, her face still obscured from the brim of her fedora.  "I'll make a deal with you, Seb.  You shave that rat's nest you've got growing on your upper lip, and he's in."
From behind me came a reluctant grunt. "He's in, then."

Monday, December 10, 2012

Official Festival Schedule Released!

Hello everyone! We are pleased to announce that the official schedule for Bedlam Festival 2013 has now been released! Just follow the link here and jump to the week of 20 January - 26 January.

We've got an exciting line-up of shows and workshops for the festival, and on behalf of the entire team, I cannot wait for the week to begin.

Speaking of the line-up, we've got good news and bad news. The bad news is that Techologues has had to unfortunately drop out of the festival. However, the good news is that we have a new show, Night, Mother, taking its place.

Hope to see you all at Bedlam Theatre for the festival!

On behalf of the BedFest team,
Rachel x


Wednesday, November 14, 2012

Show line-up revealed

Sorry everything has been a bit quiet on the blog over the last few days - we've been working on selecting and programming the shows for BedFest 2013. And at last decisions have been made, which means that we can reveal the line-up:

Opening Gala

ROSENCRANTZ AND GUILDENSTERN ARE DEAD
Forty-seven years after its world premiere at the Edinburgh Fringe, Tom Stoppard's absurdist, existentialist tragi-comedy is given new life on the Edinburgh stage by director John Rushton.

Closing Performance

24 HOUR PLAY
The madness returns to Bedlam in a play entirely written, produced, directed, rehearsed, acted, designed, staged and teched in 24 hours. Last year's was about time-travel, archaeologists and Russian spies. Who knows what may unfold this year...

Charity Matinee

THE TALES OF BEEDLE THE BARD
Devised from the book of tales told to wizarding children all over the world, Bedlam creates a suitably dark show for children. All profits will go to Lumos, a charity which helps kids who are in care.

These gala performances are scheduled with three new theatre strands: New Writing, New Ideas, Modern Classics and The Comedy Club.

New Writing, New Ideas

CANDLEWASTERS
The annual showcase of short new writing returns, with pieces selected by James Beagon and Andy Edwards (who run the Bedlam Writing Workshop).

DIALOGUE
A new work by Rachael Murray, a monologue for two actors.

EDINBURGH UNIVERSITY'S WRITING FOR THEATRE CLASS OF 2012*
Some of the best writing from the students of Edinburgh University's new playwrighting course.
(*Working title)

TECHOLOGUES*
A new experimental work where lighting and sound design takes centre-stage.
(*Working title)

TREE-O-LOGS
Three monologues, in which three people take turns to perform, write and direct.

Modern Classics 

AFTER THE END, by Dennis Kelly
Produced and directed by Athina Kefalopoulou and Rebecca Bonallie.

THE BIRTHDAY PARTY, by Harold Pinter
Produced by Rosie Pierce, and directed by Sibylla Archdale Kalid.

INDEPENDENCE, by Lee Blessing
Produced by Hannah Oliver, and directed by Alex Harwood and Amanda Fleet.

HEDDA GABLER, by Henrik Ibsen
Produced by Dan Harris, and directed by Richard Martyn-Hemphill.

The Comedy Club

THE IMPROVERTS
Edinburgh's resident improv troupe return to BedFest with not just one, but two performances!

WE'VE BECOME MANGO
In their latest show, 'Talking Limbo', from the sketch group that brought you 'Ship of Fools: Children of Twelchford' last Fringe, there are new sketches and new laughs.

Friday, November 9, 2012

A Dire Chronical from Ian Culleton, the Publicity Manager PART I

Friends, I do not mean to be rude, but drop whatever it is you are doing and focus all of your attention on me.

I hope you are sitting down.  If you are not, I will give you a moment to find a chair.

Sitting now?  good.  Strap in, because I am about to recount to you the story of how I came upon this noble position.  It is a tale of intrigue, sorrow, and woe, including cosmic revelations which have made lesser men than myself go babbling mad.

It was in the summer of 1968 that I was first approached about the position.  I was sitting in a small cafe  in Budapest, drinking my coffee Americano style, which I feel is my duty as a patriot.  I was just finishing the Saturday crossword when I heard a man sit down, heavily, in the chair across from me.  He wore a long, dark trenchcoat, with wiry spectacles and a ginger moustache which managed to make it almost all the way to his ears before curling up in the most glorious fashion.  But that was not what I noticed first, my friends; what I noticed first was the gun he had casually trained on my solar plexus.

I gulped, but before I could make a noise, he hissed at me commandingly from across the table. "Don't make a sound.  Your life is in danger.  Now, get up.  Move to the door."

Having nothing else to do, I arose, the man pocketing the gun but keeping it pointed at me through the burgundy cloth.  We moved towards the door and discretely he pointed me down the street to a small park.  Behind us, a man in a long-brimmed fedora arose slowly, folded his paper, and moved to pay.  The gunman behind me glanced back at him, noting him again.  There was a sense of urgency in his desire to leave, and this was not lost on me, for the man in the fedora had spooked me.  We moved hurriedly down the street, and as we did...  so did the dark figure behind us.

We reached the deserted old park at what might be described the brink of a run, and the mustachioed man whirled violently, making sure there were no witnesses save the flickering street lamp above.  Our stalker withdrew from his pocket a Luger and, without delay, fired two shots into the shoulder of the man at my side.  Unfazed, my companion pulled out his Beretta and shot his assailant in kind.  The man let out an "oof," and slumped back against the wall, his dark coat masking the blood flowing freely from his chest.

All of this was quite disturbing to me.  I had never seen a man shot before, you see.   I gulped heavily, and then managed to choke out, "who--  who are you?"

My companion moved to the body, and kneeling he pulled back the hat.  "Davies," he said softly.  "I might have guessed they'd send you to do the dirtywork."  then he rounded on me, bowing and declaring, "My name is Sebastian King, and I'm here to change your life."

Introduction: Co-Stage Manager

Bonjour!

This is Eleri Boyesen and I'll be co-theatre manager for Bedfest along with the fabulous Clara and Liz. Go girl power! Manager is our name and managing is our game: we aim to keep Bedlam nice and organised during Bedfest so that everyone can find everything they need.

This is my first year at Edinburgh University, studying French and English Literature. I seem to have an affinity for everything french - Paris, patisserie, Debussy, cheese, wine,  - and when I'm not indulging in these (when I get the chance, the first one being the hardest to arrange) you will catch me watching Breakfast at Tiffany's or with a good novel in my hand.

I am from Wales and much to everyone's chagrin, I do not have a Welsh accent - sorry to burst the illusion, but I don't have any sheep in my back field either!

Finally, Bedlam is great! It's so great for getting involved and I feel very grateful that I have been asked as a fresher to join the Bedfest team - thanks guys!

Cariad mawr

Eleri x

Introductions - Stage

Hello everyone! 

My name is Liz Mills, and I am going to be helping our lovely Theatre Managers Clara and Eleri during BedFest. 

I will mainly be helping with Stage, so I will be around during the Get ins and the Get outs to help your stage managers in any way I can with set and props.  I'll probably end up covered in paint, and I might learn to use a saw properly. 

Who knows. 

When not in Bedlam, I am a third year History student here at Edinburgh.  I've done a few shows over the last couple of years, but mostly I spend my waking hours in the library writing essays and reading boring books about history (I shouldn't say they're boring, should I?). 

I'm sort of from Sunderland but actually from Aberdeenshire and although Clara and I share a last name we are, unfortunately, not related. 

That's all for now!
Liz :)





Wednesday, November 7, 2012

Introduction: Co-Administrator (the other one)

Salve, amici!

It's the other co-administrator, Seb, here, introducing himself for the world to know.

I don't know why I just used the third person there.

My role, together with Rachel, is to get this festival up and running, from the conception of ideas (way back in September) to the week of the festival itself in January. We're in November now, so that gives us about two months. That's a scary thought. As Rachel has already said, we're the go-to people for any queries about the festival as a whole, especially show and workshop proposals. We're also here to look after the team and make sure that they have the support to do their jobs. Which might mean seeing me do a stint behind the box office or waiting tables in the cafe, but mostly will involve me sitting in a corner answering messages on my laptop.

If you want to know a little about me personally, so you could like, I don't know, not feel intimidated about chatting with me over the festival, here are some things that I am: a second-year Classics student at the University of Edinburgh, born and raised in London. I've been involved in some shows at Bedlam in the past year, but also managing to complete a degree involving two (two!) ancient languages without my brain exploding. I've also experimented with growing a beard, the result of which looked like this...


I'm also playing a woman on stage in the Edinburgh University Classics Society's upcoming production of Lysistrata - facebook event here: http://www.facebook.com/events/287663294685109/?fref=ts - in which the beard may make another appearance.

Keep an eye out for more from me, as I'm sure I'll be on this blog like an actor is onstage. Get it?

Thursday, November 1, 2012

Workshop proposals now being accepted

Want to run a workshop at BedFest 2013? Workshops can be up to 3 hours long, and cover an aspect of theatre. Money for materials can be provided, so you can go all out in creating an awesome workshop. Maybe run a costuming workshop in which participants can create their own costumes over 3 hours? Or building a set? Or physicality and movement? It's up to you.

Also being tested is a new workshop format: the 18-minute workshop. Can you convey an idea in 18 mins? If so, we want to hear from you.

Just fill in this handy form and we'll get back to you asap. The deadline for workshop proposals is Monday 12th November at 6pm.


Tuesday, October 30, 2012

SHOW PROPOSALS!!!!!

Hey everyone!

This is the official opening of show proposals! If you want to put on a show for BedFest, fill out the form embedded below. The deadline is Friday, 9 November, so please get those teams together! However, be assured that a full production team is not required to propose a show. Thanks!

If you need more information, here's a handy document outlining everything you need to do: https://docs.google.com/document/d/1EzrCLnauySJHZ2Z1hA0fNuPfz6IPmo3ak4C_IOe8pUQ/edit

Monday, October 29, 2012

Introduction- Cafe

So after spending the summer in Bedlam behind the box office and most of the last year and a half hidden up in the tech box, I have now decided to experiment with Cafe. And by experiment with Cafe, I mean Clara and I had a really long rant over the summer about how Bedlam needs to serve things like smoothies. So there you go.
For an actual introduction, hi, I'm Kirstyn. I'm from TownInTheMiddleOfACornField#57, USA, and am a second year International Relations student. The plan for cafe for Bedfest is to make it, well, more cafe like. So we're working on serving food beyond nachos and toasties. Also, we have not had nearly enough tequila over the past festivals for my liking, so if all goes as planned and we get the alcohol license  lets just say there will be a lot of margaritas. I'm working more as an administrator  putting the menu together and taking care of the ordering and whatnot, and will have other cafe managers to take over the actual shifts during the week.
Now I get to experiment with all the recipes  Like cake pops. This is totally not an excuse to just bake all of winter break. It's definitely a very complicated process that requires tons of trial and error sessions.

Peace love and mini pizzas,
Kirstyn

Introductions - The other techie

<introduction>

Hello all.

Continuing the theme of introductions, I'm the other semi-tame techie of the Crayden team. Craig has already introduced our role on the team, and be assured that there will be much geekery going on behind the scenes to ensure everything runs as smoothly as possible. As well as the new website, we are hoping to have ready a new "Digital Signage" system (nicknamed project moderate sleet) to show details about shows during BedFest.

While not at Bedlam (which hasn't been very often over the last few weeks), I can be found trying to fix the TARDIS, punching holes into card with the EURC or causing problems in the FreshAir studio (it's boring when it just works). Oh, and I'm meant to be doing CompSci with Electronics as well.

Anyway, feel free to drop me an e-mail, message me on Facebook (or even pm me at ball-hayden on irc.imaginarynet.org.uk for extra geek points) if you have any tech problems during your preparations for BedFest and I'll do what I can to help.

</introduction>

Introductions - Theatre Manager


Hey I’m Clara Jane Mills, and along with the lovely Eleri, Theatre Manager for BedFest. It will be my job to make sure that all of the shows get-ins and get-outs run smoothly, things don’t break and everything that needs doing gets done. As well as making the theatre look pretty with the Box Office and CafĂ© teams.

When I’m not doing student theatre sometimes I am a Neuroscience and Physiology student. Right now though I am taking a year out of my degree and will go into third year next year. I come from Caithness, far far beyond the wall, in the frozen waste lands of the northern most highlands (like go any further and you will fall in the sea).  I’ve been horse riding since I was very little, and I have a lovely horse that I ride just outside the city, called Terry.

During the week leading up to and the week of BedFest you can expect to find me camped out in Bedlam with my duvet and coffee maker almost 24/7… Maybe it’s a good thing I don’t have classes :P

Paint covered stage management love

Clara Jane xx

Introduction: Co-Tech Manager


Evening everyone!

I'm Craig Snowden, half of the Tech Management team for this year's BedFest. Alongside Hayden, we'll be coordinating the technical aspects of the festival ensuring that all shows go without a hitch - technically that is!

Once Rachel and Seb work out who'll be entertaining us in January we'll be wanting to prepare a lighting rig for everyone to use. Obviously this means getting the technical aspects of your production sorted as soon as possible, and we'll be glad to help you out with that if necessary - just get in touch with either of us.

On a more personal level, I'm a first year (OMG A FRESHER) Computer Science student at the University. Unusually enough I'm actually Scottish, hailing from across the Forth in Fife. Currently my co-TM and I are working on a brand shiny new website for Bedlam, to be launched into the scary world before BedFest. When not at Bedlam, I'm either sleeping through 11am lectures or tucking into the "hot roll of the day" at BBL on the Pleasance.

On that delicious note, I bid you farewell and look forward to helping make BedFest a great success.

Sunday, October 28, 2012

Introduction: Co-Administrator

Hello everyone!

Over the next couple of days, each member of the BedFest team will be posting a little introduction to who he or she is and what his or her role is on the team. I thought I'd get the ball rolling!

I'm Rachel 'Deep Thought' Bussom and I'm one of the administrators of this beautiful thing. My co-administrator (Seb King) and I will be organizing this festival and making sure everything goes as smoothly as possible. We're your go-to people for show and workshop proposals (as soon as the forms go live), as well as your general contacts for the festival as a whole for non-specific ideas and questions, as well as those concerning the general workings of the festival.

And now that that's out of the way, how about we get to the real introduction! I sincerely hope my fellow production team members will follow this general format. <3 (I love you guys)

As I've already said, my name is Rachel. I'm a second-year Cognitive Science student at the University of Edinburgh, though I'm actually American by nationality. When not at Bedlam I can usually be found online, attempting to transpose Legend of Zelda music into bass clef, generally being very silly, and occasionally doing my coursework. My semi-real super power is organizing thoughts and ideas into something communicable. For pictorial representation, this:


Becomes this:

That's all for now! Keep an eye out for more introductions and updates; we'll be posting again in the near future. :)



Thursday, October 25, 2012

The process begins...

Hello everyone,

Today BedFest was passed by the company of the EUTC, making this whole shindig official. We're going to get going from the get-go (i.e.: right now) and are already in the planning stage for show proposals and audition timeslots. Indeed, Rachel and I will be meeting with James Beagon, the EUTC's Productions Manager (fancy title) to talk details very soon. Coincidentally, Mr Beagon has informed me that he intends to propose Candlewasters and the 24 Hour Play with his writing bud Andrew Edwards. They are looking for people interested in managing stage and tech to help with the shows. If you are so inclined, why not email bedfest2013@gmail.com.

What's that? An email address for BedFest 2013? Yes, yes it is. Organisation = fun.

Show proposals for members of Bedlam Theatre will open in the next few days. We'll be sending a 'Guide to proposing a BedFest 2013 show' (N.B. NOT ACTUAL TITLE) in the next Company Email, so look out for that.

Also coming soon will be introductions from the team. Their friendly faces and thoughts will be the life and soul of this blog, and we'll all update as much as we can. Hooray for the internet!

Vale.*


--- *I've been reading a lot of Pliny the Younger for my degree recently, and he always finishes his letters like this. Blog posts are the modern letters, aren't they?